JOLAN JALADIS
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# DEMOREEL
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# CYCLE
A charcoal animation depicting the cycle of a seed, but also of life in general. From the earth, back to the earth.
# PLEIN LA BOBINE
Animation of part of a teaser for a children's animation film festival. Done in traditional animation, it's a teaser made collectively.
The boy is the main theme of the story.
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# DUEL !
Paper-cut animation made during my DNMADE, in a group of 3. The purpose was to revisit some classics: Tarzan, Lucky Luke, and Alice in Wonderland.
I did Tarzan, taking him back to his origins.
A sort of Animal God, with a touch of stupidity.
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# AIGUISée
Stop-motion animation in groups of 3. Professionals come in during workshops to help us make puppets, sets, lighting and acting.
My brief was to make a disabled wolf in a fairytale setting.
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# La bibliothèque de mon père
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My graduation film about childhood loneliness. My aim was to talk about my own experience and convey my feelings. The film is a mix of traditional animation and live action.
To make this film, I also did a small thesis on the multiple to define individuality. I based my work on the short film Love, Dad by Diana Cam Van Nguyen.
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# Eclipse
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I found in an SD card some rushes shot a year earlier, during the lockdown.
Inspired by the work of François Vogel , I took the same camera, from the same angle, and set about filming. But time passed.
I create the narrative with compositing. I add a turn of my head on the scanner, and captions from childhood photos. Superimposed layers of time. I love working with recycled materials and creating with it, whether digital or traditional. Randomness and the discovery of the material, to compose a story out of nothing
# (not) UNDERCOVER
My aim is to find graphic ways to blur face recognition, both by BOTS
and by humans. I coded a website to diffuse it.
I'm mainly inspired by glitch and brutalism (in web design).
In a virtual world, I want to find ways of being parasitic in the matrix.
Being present and absent at the same time.
Sand in the gears.
Because to live happily, I don't want to live hidden.
Like a virus, I bide my time by becoming part of the organism I'm about to consume.
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# This person does exist
Series of hybrid, animated self-portraits. The photos are created via an AI "this person doesn't exist", to which I've added fragments of my own photos,
or observational self-portraits. The aim is to deconstruct my perception of myself by distancing myself from reality.
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# WALKING II
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# Les vêtements sauvages
Inspired by Ryan Larkin's Walking, I created a morph between
the walkcycles of my classmates. To form a unique, hybrid being.
Inspired by Hugo Ball's Dadaist poem, traditional animation in pairs, starting with "Les vêtements sauvages". Free narration on quest and search, with the notion of a loop. Bodies are dissolved in an omnipresent space, erratic ghosts. A never-ending search.